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« Breaking Creative Blocks | Main
Creative Stimulus
by Nancy Park on 12/1/2009 6:30:40 PM



This is the third creative stimulus I’ve found, and perhaps the best of all. Its name is “What’s on Your Easel?” The interaction between artists who are working daily on improving their skills is a delightful invitation to show my work as it develops, and ask for “comment and critique” if I want it.

It’s a forum on a website called “Wet Canvas,” which is a whole world of practicing artists of all levels of development, inspiring each other to greater accomplishments. It ranges from art students to professionals, and from those dipping toes in many areas to those who have settled on one subject or style for artistic development. The membership consists of the entire world of artists. One accomplished Russian painter showed us her techniques for reproducing classical art for her clients through each stage of the painting’s creation. Others from Germany, India, the British Isles, Canada and South America are also helping each other. Membership is free, but the language is English — there are not many artists from other countries represented.

“What’s on Your Easel?” is under the media designation “Oils.” This is where I get needed input from other artists while I’m still working on projects in my home studio. And seeing their skills and creative effort merge into distinctive works over the course of a month pushed me into spending a lot more time at the easel than I had been doing. I even painted a self-portrait (something I had intended to do before I got this old!), above. It’s like having artists at your side, working. But only when you want them there.

Contact them for a tour, at http://www.wetcanvas.com   I think you’ll be as delighted as I was!

Keep your brushes wet!
Nancy

 





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Topics: Unblocking Creativity
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Mario Rodríguez
via nancyparkfineart.com
Hi Nancy.
Thank you very much for your answer, for your tips and for the image of your picture. It´s great! Look at the hands, the blue hues in the shadows... I think you put a lot of your own in it. And in your selfportrait as well. Two very good works in my opinion.
I will try with the whites you told me. I am trying to find a way of work similar to El Greco or Velázquez. I mean, using transparent but dense finally layers. Actually, I am looking for a medium similar to Flemish Medium (a new version of Maroger medium as you know), but colourless. I don´t like the yellow hue of this kind of mediums. Not for the moment.

So, thank you very much for your help again. Hope to see you at Wet Canvas. And I hope to know about your next works.

P. S. Sorry for my English.


Nancy Park
via nancyparkfineart.com
Mario,

Start with your darkest darks and lightest lights first. Then make color and value layers with transparent whites, and premix them with a palette knife. Keep checking the hue and value for accuracy as you mix. Later on in the final layers, you can increase the contrasts with a brighter white like Titanium.

You can also make a very good medium with 2 parts Spike Lavender Oil, 1 part Linseed Oil, 1 part Walnut Oil and 1 part Venice Turpentine. This lasts a long time if you keep it sealed up. I don't care for the smell, but many artists like it!

I send out a monthly (well, more or less)newsletter if you would like to see what I paint on a regular basis! You can join by subscribing.

Mario
via nancyparkfineart.com
Hello Nancy.
Thank you very much again!
I am trying this days with zinc white, with oil (for final layers). And it works very good.
I will try the way you told me soon. In fact, it is the usual method we usually play in the College, when student. But drawing, not painting. I think there is a huge hole between drawing and painting in Spanish art educational system…

I am interested to work in the Rubens way. I heart about in a Spanish art forum. If you don´t know it, please, let me know if you are interested to.

And I will try your medium, as well. It sounds very well. But I would like to change linseed oil by poppy one. I think it will works also.

With regard to follow your work, I would like it. Do I subscribe by blog?


My best wishes, Mario.


Nancy Park
via nancyparkfineart.com
Hi, Mario,

I will add your email address to my list of subscribers, but anyone can subscribe by simply going to my main page and selecting the words "email newsletter." This will take you to a page where you can simply choose to subscribe.

I think Drawing and Painting are interchangeable; at times I draw on my canvas with charcoal, apply spray fixative, and paint over it. (Don't use graphite - I've heard it will bleed through just as ball-point pen or marker would.

Nancy

Mario
via nancyparkfineart.com
Hi Nancy.
I have subscribed already.
It is true. Drawing and painting should be interchangeable. It would be great if Spanish Art Educational System where focused in that direction. But that is not reality. I heart what you say about graphite, as well. It is true. Painting layers get become thinner over time, and graphite is more visible, consequently.

Well, Nancy. Thank you very much for your answer. I hope to see your new works soon!











 

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